Tag Archives: Game of Thrones

Westeros has a Firewood Problem

This topic has been on my mind for years now. I had originally intended to release this blog post later in the year as winter set in (for reasons that will be obvious in a moment), but since House of the Dragon premiers this weekend, now seemed as good a time as any.

Or, as GRRM calls it, “Hot D.”

There’s a part of the worldbuilding of Westeros that I want to examine. Before we get into that, let me first say that George R.R. Martin’s series is one of my favorite fantasy worlds of all time. It’s full of wonderfully flawed characters, historical parallels, and rich backstory. One of the things that sets it apart from many other fantasy worlds is the concept that the seasons can last much longer than in our world. The winters in Westeros are famously years long and apocalyptically cold.   

It’s the topic of winters that I want to delve into here.

There are precedents in actual history for seasons lasting beyond their usual cycle, such as the Year Without a Summer in 1816. In Westeros, however, winters can last for up to six or seven years at a time, possibly longer. For the purposes of this discussion we’re not going to worry about saving up the requisite amount of food as we have many examples from history on methods to avoid potential famine over long periods of time. The main thing we are going to look at (as the title suggests) is the question of firewood.

Tyrion and Dany at Dragonstone.

The Westerosi, like their medieval counterparts, don’t have many ways to heat their homes. There are no radiators or electric heaters to rely upon, so to survive the cold, cruel winters, they would have to burn fuel to keep themselves warm and cook their food. In real life, it was an arduous enough task to cut enough firewood to last a winter season that spanned only three to five months. Virtually every moment not spent on some of other critical task had to be devoted to cutting firewood, just to make sure you had enough.

Now imagine having to stockpile firewood for a winter that can last for years. If the winters are as bad as Old Nan suggests, you won’t be able to cut down trees after winter has come due to the risk of exposure and sickness. Since you have no way of knowing just how long winter will be, you had better assume it’s going to go the full seven years. If you cut enough for three years, and winter lasts four, you’re dead.

Truly, when you play the game of firewood, you either have enough or you die; there is no middle ground.

(Sorry, couldn’t resist.)

Not a Starbucks cup in sight.

How much firewood are we talking? 

Let’s say that you’re a peasant living somewhere in Westeros, possibly in a sturdy cottage or farmhouse. You likely have only one hearth or fireplace. You might even have a fire pit, which is likely closer to what actual medieval peasants used to use less wood as they brave the harsh winters of Northern Europe. Whatever form your heat source takes, you’ll need to keep the fire going all the time. Letting it go out overnight could result in you waking up a frozen peasant-sicle. 

To accomplish this, you’ll need fuel in the form of wood. There are other forms of fuel, but firewood is going to be your most reliable and most abundant. Also, I don’t know of many defined peat bogs (peat being another source of fuel) found in the North, where the hammer of winter falls the hardest. You could burn animal dung, but they require additional food stores, so again, wood is likely going to be your mainstay.

Balon Greyjoy’s sanctum at Pyke.

According to sources I found (listed below), heating a 1,000 square foot house needs about 3 cords of wood for a three-month winter, effectively one cord per month per 1,000 square feet. Luckily for our hypothetical peasant, their home is likely smaller than that size, so it requires less fuel to heat. For ease of measurement, let’s say the home in question is half that square footage, so 500 square feet. Assuming the ceiling is 10-feet high, the example cottage would be around 5,000 cubic feet.

We’ll assume that the history of extremely long winters has made insulation and heat retention for this peasant’s house roughly equivalent to the modern standard. That’s a big leap, sure, but I’m giving the people of Westeros the benefit of the doubt here.

This image makes me sad.

So, how much is a cord of wood? A single cord of firewood is usually defined as a stack that’s 4 feet wide, 4 feet tall, and 8 feet long. That winds up being 128 cubic feet of wood.

Seven years equals 84 months. According to the example above, it would take 84 cords of wood for a modern 1,000 square foot house to keep a fire going for that long, so it would take around 42 cords of wood at the very least to heat the Westerosi peasant’s house. Doing the math, that’s a stack of wood 168 feet wide, 168 feet tall, and 336 feet long, or 9,483,264 cubic feet.  

One of the few bright spots in Season 8.

To give you an idea of just how much that is, imagine that you covered every inch of a modern football field with firewood (including at least one end zone) and stacked it all up to a height of 168 feet. That’s taller than the Statue of Liberty.   

See the problem?

All of that is to fuel a single fireplace continuously for seven years, to say nothing of if you have a larger home with more than one fireplace. Even if fire pits might allow you to cut less wood than it would take to keep a regular fireplace going, the extreme length of time you have to maintain it makes it a herculean feat to cut that much firewood.  

Otto and Alicent Hightower from Hot D.

Blisters and Magnification:

With modern logging equipment, or just a functional chainsaw, a single person could conceivably cut that much wood during the seven years of the Long Summer, but the folk of Westeros don’t have that luxury. They would certainly have a wood-cutting axe handy, and if they are very lucky, they might also have a splitting wedge and/or maul to make things easier.

Regardless of the equipment available, the daunting task of cutting that much wood must be done by hand. The amount of effort it would take to cut, transport, split, season, and store that amount of wood so it won’t rot is staggering. Talk about calluses!

Faces by firelight.

Perhaps larger keeps and holdfasts would have whole teams of lumberjacks with big cross cut saws to fell the timbers faster, but having a larger home, with more than one fireplace, only magnifies this problem.

It’s hard to get a read on just how many hearths and fireplaces some of the major holdings in the series possess. We can safely cross Winterfell off the list here, since it has the hot spring flowing through its walls (or did until Ramsay Bolton messed it all up in the books. Spoilers, sorry!). 

The only solid number we have comes from Harrenhal. Its rather inaccurately named Hall of the Hundred Hearths has only about 35 of them. That’s in one room.  Admittedly, this fortress was built to a colossal scale, but it’s safe to say that large holdings like Highgarden, Casterly Rock, and the Red Keep might have dozens of fireplaces that they keep going, from the main hall to the private quarters of the noble families.

The King in the North!

That doesn’t even take into account things like wood for torches to light the halls, braziers for watch fires, fuel for the forge, or any extra wood used in the kitchens for cooking and food preparation. Even a lord or castellan that is extremely frugal with the available stores of wood would surely be using many times that of our hypothetical peasant in a cottage.

How are there any forests left standing in Westeros if that’s the case?

Inventing a Solution:

George R. R. Martin is a smart author, and he’s tackled problems like this before. Ravens, for example. I’m speculating here, but I imagine that he looked at how massive Westeros was, and how far flung the centers of power actually are on the map. They were once seven independent kingdoms after all. There aren’t many usable roads connecting them, and a lack of an inland sea really limits how fast ships can get to places. Without a means of fast, reliable travel overland or by sea, it would be almost impossible to effectively administrate a kingdom of that size using any historical medieval methods. Without some channel for communications, the Seven Kingdoms would have likely collapsed under its own geopolitical weight.

They were my dream team. If only…

So, GRRM invented a means to send messages quickly over great distances. Enter the Maesters and their incredible knowledge of ravenry (or rookery). Like trained carrier pigeons, you attach a note to one of their feet and off they go to a predetermined place. It’s not clear how fast these birds are, but I would imagine that a Prince of Dorne might have a decent idea of what was going on in the North within a week or two, as opposed to many months to a year.

GRRM famously dislikes fan fiction set in his universe, so let’s simply look at this as a mental exercise. Let’s apply the same kind of practical problem solving he used with ravens to the firewood problem. What follows is my solution to the problem. If you have a solution of your own, or if there is a solution presented in the books that I have missed, I would love to hear it in comments below.

Far away, in a storage facility in San Francisco, Bran wargs into a rat to set Ant-Man free.

Enter the Winter Oak. This tree is a cousin to the Weirwood tree, sharing some of its physical properties, but distinctly lacking in its metaphysical ones. Like the Weirwood, it maintains its bloom throughout all seasons, needing little in the way of sunlight, but more importantly, the wood of the Winter Oak does not rot. It can be stored for years on end without degradation from either outside conditions or damage from vermin. That alone would make it invaluable to Westeros, but we don’t stop there. Here are a few more characteristics that help alleviate the firewood problem:

  • The Winter Oak burns many times longer than regular oak, maple, or hickory due in part to the special red sap it secretes. It is not appreciably heavier to carry or harder to cut. Stocking this wood allows you to greatly reduce the fuel you need to get through the winter by several orders of magnitude.  
  • This tree produces thousands of seed pods that are a particularly attractive food source to burrowing animals. The animals eat the pods and fertilize the seeds in their feces underground. This allows new trees to find fertile ground and start growing even with several feet of snow on the ground. New crops of trees are then ready to go as soon as the spring comes. Some particularly hardy specimens even start shooting up during the height of winter.
  • The tree is common enough that wood from it is plentiful all around the Seven Kingdoms. The Winter Oak tree does not require a particular type of soil to grow, so it can be sown just about anywhere plants grow.
  • This tree grows quickly. Not as fast as bamboo, but considerably faster than other trees. This makes them perfect for ‘farming’ multiple times during the spring/summer/autumn seasons. Because they can grow during the winter, the brave or foolish (or both) may attempt to gather them in the winter, too.
  • The Winter Oak will naturally find a balance with the trees around it, including others of its kind. It doesn’t have to compete over sunlight as much, but does require lots of nutrients from the soil. So, it does not grow as aggressively or pervasively as kudzu.  

In summary, you have a tree that reduces the amount of wood you need, stores well for long periods of time, replaces itself quickly, and is common enough that all of the Seven Kingdoms have ample access to it.

Now, if there any dendrologists or arborists reading this, I’m sure you are shaking your head or blinking in disbelief. But I ask you, is a tree that does all that any less believable than one that can see through time while harboring an ancient hive mind? The Winter Oak still makes life in Westeros a struggle for survival, as it should be, but makes living there a bit more viable.

Knighted.

Final Thoughts:

While The Song of Ice and Fire is a work of fantasy, it’s a type of fantasy that is firmly grounded in historical realism. A worldbuilder’s job is to construct universes which possess the ring of truth. When you decide to change something major, you have to keep in mind what else changes with it.

If everyone in the world could suddenly teleport by just using their mind, it doesn’t just save on commute times to work. There will be many permutations and effects that will need to be addressed to give the world a realistic sense of place. (An excellent example of this is Alfred Bester’s novel, The Stars My Destination.) Merely saying “it’s magic!” and leaving it at that is not a valid way of getting around problems, or downplaying their importance, even in fantasy worlds that are far less rooted in reality.

Now, does this tiny wrinkle diminish my enjoyment of GRRM’s books? Absolutely not. I don’t read his works for complicated explanations of the seasons. No, I’m all about compelling grey characters that almost  leap off the page, descriptions of feasts that make my stomach rumble, and as GRRM puts it, “the human heart in conflict with itself.” *chef’s kiss.*

So, bundle up everyone. It may be hot outside now, but Winter is Coming.

Sources:

https://modernhomesteading.ca/blog/firewood-basics-five-lessons-for-heating-with-a-wood-stove

https://www.familyhandyman.com/article/how-much-firewood-for-winter/

https://homeguides.sfgate.com/how-much-firewood-do-i-need-for-the-winter-13420440.html


Of Funerals and Game of Thrones T-shirts

[Note: My blog isn’t usually a look into the goings on in my personal life, but this post is. Just a word of fair warning.]

T-shirts are one of my ‘things.’ I recently started posting photos to my Instagram and Facebook page of the T-shirts I wear when writing on Sundays. The characters, musicians, places, and pop-culture references they have on them all mean something to me – deeply. I take great pains when adding shirts to my writing wardrobe, and take care of the ones that do make it so that they will last for years. Take this one for instance:

I Like Lindsey

I wore this shirt when I finished one novel and again when I started another. That’s not me wearing it, however. http://www.shopbenchmark.com/lindseystirling/t-shirts/lindsey-stirling-i-like-lindsey-shirt.html

Here, I want to talk about two of these shirts in particular. Both of them are from Game of Thrones. (No, I’m not a shill for HBO merch, but that won’t stop me from posting links below. You watch.) They have a story, sadly connected, and have proven a (figurative) suit of armor for my emotions during hard times. I’ll explain, but know that this is where things get personal.

Set the Wayback Machine to Labor Day Weekend of 2012. I made the trip to the mountains of Arkansas with my family to see my grandmother for her birthday on September 1st. There was no celebration this year, however. A few months before, she had been diagnosed with terminal cancer, and it was understood that she could go at any time. She was bed-ridden and on quite a bit of medication. She was far thinner than that last time I saw her, but she was lucid, and recognized me immediately.

The family found itself in that grey Sargasso Sea of waiting. We couldn’t do much more for her other than make her comfortable and tell her that she was loved. I spent the weekend with my family, but on Labor Day Monday, I had to head back to Texas. Believe me when I say that I didn’t want to; I wanted to be there until the very end. Just contemplating leaving made me feel like a galaxy-sized tool. But with kids and an office job, I had little choice but to return.

Life doesn’t always give us the opportunity to say good-bye to our loved ones, but this time it did. I knew I would be a wreck before, during, and afterward. You had better believe that I had plenty of my special shirts with me on this trip. For this last visit, I had my House Baratheon shirt on under my button-up. What can I say? It gave me strength.

She wasn’t so lucid on our last meeting, but smiled when she saw me. We visited, I told her how much I loved her (in great detail), and sooner than I would have imagined, it was time to go. She waved at me as I left, and that was that. She died six days later.

Fast forward to the beginning of October in 2015. My uncle, my grandmother’s only son, died in a motorcycle accident. This time I didn’t get to say good-bye, and his death was an utter sucker-punch out of the blue. One minute, I’m watching Little Einsteins with my son and the next my aunt is telling me what happened over the phone. It felt so unreal and, even after the memorial service, it still does.

Three years might seem like a long time, but when the family gathered for the funeral, it felt like only yesterday since we had all come together for my grandmother. I wore a suit to the service. It’s rare to see me in one since I dress casually most of the time (one of the perks of being a writer). This time, my undershirt was the direwolf of House Stark.

To some, it might seem really dorky, perhaps even disrespectful, to wear what is a obviously a fanboy shirt to something as solemn as a funeral. But at that moment it acted as a sort of emotional duct tape, keeping me together when I might have otherwise gone to pieces.

You see, I love those books – the A Song of Ice and Fire series. I can discuss them for hours on end, picking them apart, speculating on various bits of lore and how the series will end. I thank George R.R. Martin for writing them.  I’m fairly sure he didn’t set out to write those books in the hopes that they would one day prove a much-needed bulwark for a man he’s never met, but he managed to succeed in that (admittedly inside) goal anyway. Thanks, George.

GRRM.

Take your time, George. I’ll wait as long as it takes.

Life is short, so hold onto to those things that you love, whether it’s toys, books, video games, T-shirts, or whatever. Give the people you love a hug. Make a memory. We all say good-bye to each other in the end, so cherish the time you have on this Earth.

I know that may all sound like a Hallmark commercial, but that’s what you get for reading the blog of a hopeless sentimentalist.

Thanks for stopping by.


An Open Letter to David Benioff and D.B. Weiss From a Humble Fanboy:

Dear Mr. Benioff and Mr. Weiss,

I know I’m writing to you in the ‘off season’ of Game of Thrones attention, but it has taken a while for me to truly sort out my feelings and thoughts on Season 5. Controversy follows your show. That’s nothing new, but this season seems like it caught a bit more negative attention in the media than in years previous.

To be sure, there are many things about Season 5 that I absolutely adored (which I’ll cover below), but… (and you had to know there’d be a ‘but’) this was countered by many puzzling creative decisions that have left me scratching my head.

So, I thought I would break it down here, plotline by plotline. Of course, the odds of you seeing this, and reading it, are very slim. But, you did see Larry Williams’ Season 1 fan rant over Ned’s beheading, and these open letters are quite cathartic for me, so full steam ahead, I say. (***OBLIGATORY SPOILER WARNING***):

The Night’s Watch:

Jon Snow

That look…

Let’s start off on a high note. I loved everything about this story arc. Guys, this is you at your best. The acting, the pacing, the sudden yet inevitable betrayal, all of it is some of the best your show has ever put forward. Oh, and HARD HOME! You nailed the action and the emotion of this better than 95% of major motion pictures. And the look of utter defeat and hopeless on Jon’s face as he rowed away… wow, just wow. Regardless of my other issues with Season 5, the Night’s Watch was exactly as it should be, and then some.

King’s Landing:

Cersei Lannister

My how the mighty have fallen.

Also super solid stuff. Cersei hoists her own petard and FINALLY, after five seasons of shenanigans, the Lioness has her actions come back to haunt her. You reap what you sow (unless you’re a Greyjoy, of course). The addition of Jonathan Pryce was inspired, and gave the situation exactly the kind of gravitas it deserved. The Walk of Shame was incredible, and Lena Headey really sold it. I hope she has her acceptance speech in order for the many awards she’s likely to win for that.

Sam and Gilly:

AemonDictatesALetterToSam

The Westrosi Scooby Gang.

Some folks took offense to these two unlikely lovebirds, but I thought they were sweet onscreen together. I do think they took up a bit more screen time than they should have, but I understand you have only 10 hours per season. It’s a little odd that Sam would so openly admit to having sex with Gilly in front of the Lord Commander, but I guess Jon figured there are bigger problems to worry about. Oh, and Maester Aemon’s passing was touching. His final words created a lump in my throat the size of a small grapefruit. True story.

Brienne and Pod:

Game_of_Throne_Season_5_08

I could watch a whole show about these two. Seriously.

These two are way ‘off book’ in their travels, but I think you handled it pretty well. I like these characters, and they pair well.  It felt like we sort of lost them in the middle episodes, and Brienne ultimately failed at her sworn duty by missing that candle in the window, but she had her reckoning with Stannis (or so I’m led to believe). I hope that she’ll go on to bigger and better things now. Oh, and kudos on her explanation of why Renly meant so much to her. Nailed it.

Jaime, Dorne, and the Sand Snakes:

GOT-season-5-21

Shouldn’t you be in the Riverlands?

Okay, so I’ve been pretty congratulatory up until now. What happened here, guys? Seriously, why include Doran, the Sand Snakes, et al. if the amount of screen time they get is so small? The reasoning behind every plot point was a ‘huh’ moment, the fight scene with the Sand Snakes looked like it was out of the Power Rangers, and the resolution fell flat. Since Myrcella goes down about three-hundred yards from the dock, can we assume that Season 6 will open with Trystan Martell’s head being flung into the ocean? How would Jaime not just turn the ship around right then? I realize you guys have to make changes from the book, but come on. Extra points for including Bronn, though.

Tyrion and Varys (And Jorah):

game-of-thrones-season-5-episode-6-3

So…c*ck merchants are actually a thing in Essos?

Tyrion and Varys are two of my favorite characters in the whole series, so seeing them travel together was a delight. I’m a little sad that we’re not getting an Old Griff/Young Griff storyline, but I get it. The books are the books. The show is the show. And when the Tyrion hand-off happens, I like the dynamic you show between the Bear and the Lion. Both have been through hell. Both are giant disappointments to their respective fathers. The look on Jorah’s face when he finds out that his father was killed by the Night’s Watch is powerful stuff. Iain Glen and Peter Dinklage, together, in a scene. Thank you, D&D.

Arya, Er— I mean “No One”:

No one.

Meryn Trant…LIKE A BOSS.

Maisie Williams is crafted of the finest awesome, and so is Arya. That said, it did feel like her admission into the House of Black and White didn’t require much except standing up to a few random Bravos (who speak the common language, funnily enough). And once she’s in with the Faceless Men, it feels like she spends a good part of the season sweeping floors and cleaning up dead bodies. The real hammer doesn’t fall until the very end, and it was admittedly a doozy, but it didn’t seem like there was much for to do this time around. A pity.

Sansa and the Boltons:

Sansa

Remember this guys? Do you?

Let’s address the elephant in the room, shall we?  This, like some elements of Season 5, left me utterly baffled, and in this case a bit sick to my stomach. The Boltons are horrible, yeah, we know. Little Finger pawns Sansa off to them ‘cause he’s a Machiavellian manipulator, fine. But you started to invest in Sansa as a character, making her more of a player and less of a piece on the cyvasse board. If you aren’t going to use the books as your foundation (and please don’t try to turn the issue on its head with the lame ‘isn’t it odd who gets our sympathy and who doesn’t?’ argument), how did you come up with this train wreck? Why did you build Sansa up only to break her down again? I thought we were done with her being a helpless victim at the hands of a sexually abusive, sadistic psycho, who can only be saved by a man? No? Another round you say? Oh, D&D…this is me walking behind you with a bell. SHAME! *clang* SHAME! *clang*

Stannis and Friends:

s05e09_1_stannis_still_mannis-1024x576

Nope.

I really hope you have a trick up your sleeve for the would-be Azor Ahai. Otherwise, this entire part of the story ends with a whimper, not a bang. His defeat left me with a ‘that’s it?’ moment, and the burning of Shireen felt put in for shock value than anything else. It accomplished nothing other than to show us that Stannis is a horrible person who, despite his pretensions, will not hesitate to murder his way to the throne. I knew that already, thanks. (I’ve read the books.) Yes, I know the burning has a grounding in the books (to come), but you’ve certainly left the books behind when it has suited you, why not here? AND I would have been surprised by the act if it had not been telegraphed from a hundred miles away. I knew we were on the countdown, and so did Davos. He rescued Gendry, a boy he barely even knew. Why wouldn’t he have kidnapped Shireen or fought harder to keep her alive? Or even confronted Stannis in his typical cool fashion? Spares, the lot of them.

Dany and the Meereenese Gang:

Dany.

How DOES she get better looking each season? ❤

Again, some folks really didn’t like this part, but I did. It’s Dany becoming a leader, and good is not the same as nice. If anything, I think she was perhaps too lenient on the Old Masters, but maybe that’s just me. While, Dany is perhaps the worst at ride-sharing with her friends in danger, I think things went pretty well here. We finally had Tyrion meet Dany face-to-face! Do you know how long I’ve waited for that? And it was great. My biggest complaint here is that the Unsullied did not account themselves very well. They are supposed be Eunuch Spartans for crying out loud! I understand a few of them getting surprised, but once more than three are able to rally and join shields, regular guys with silk robes and daggers (against spears and shields) should be D-E-A-D. And while Barristan the Bold did okay, that was a pretty poor send-off for the acknowledged greatest living knight. That said, thank you for not giving Dany the flux at the end there. I take that as a personal kindness, and I’m sure Emilia Clarke does as well.

So, there you have it – just one fanboy’s take on it all. Even though I think there were some gigantic misfires in Season 5, I want you to know that I’m not mad at you. You have given me some of the best programming I’ve ever seen on the small screen, and I think you are doing the material justice overall.

And now, you guys will likely spoil some secrets before the remaining books come out. The race is already on between The Winds of Winter and Season 6, and I’m pretty sure you guys will get there first. But even if GRRM gets TWoW out first, you’ll definitely beat him to the last book. That puts the two of you in a unique position that, as fans of the book, I’m sure you can appreciate. Every GoT fan that exists wishes they were in your place, to know the secrets of how it all ends.

Look, I’m not here to tell you how to do your job. I can’t know the hours and hours the two of you have put into this project, of just how personal a thing it is for you. This is your baby, and you’ve owned it, a project that even the author himself didn’t think was possible.

Just do me a favor as you go through the final seasons of this show: respect your audience. This show exists because of the fans, not despite them.  Season 5 was a mixed bag, and the parts that didn’t work felt either half-hearted or gratuitous. Are those the words you really want associated with what is surely your magnum opus?

You guys have proven, time and again, that you know how to deliver an epic experience to us, and keep us glued to our TVs on Sunday nights. Do that. Show us the world GRRM imagined, in all its wonder, in all its flawed and savage beauty. Don’t insult our intelligence, or go for the obvious gimmick, or think that rape equals female character development.

You’re better than that.

Thank you for your time and consideration.

Sincerely (and with much love),

— Matt Carson

P.S. – The North Remembers.