[Note: I do not consider myself a movie critic. What follows is just one fanboy’s opinion based off of a single double viewing of the film. Oh, and there are SPOILERS ahead for this movie, so take heed.]
If you’ve followed this blog, you may have noticed that the Transformers franchise comes up quite a bit in my writing. It was certainly my favorite toy line growing up, and Optimus Prime may, in fact, be favorite fictional character of all time. I have no real love for the live-action Bayverse Transformers movies outside of Steve Jablonsky’s hauntingly beautiful musical scores and some fantastic voice acting. But, for the most part, I don’t care for them. Bumblebee is the sole exception. I had hoped that it would lead the way, but Rise of the Beasts showed me that the cinematic franchise on the whole had learned nothing from Travis Knight’s retro-themed movie outing.
So, it didn’t surprise me when I started hearing about Transformers One. Transformers as I knew it came from animation, and the franchise has been kept alive through the years through many different animated series. So, a CGI-animated take on the story adapted to the big screen felt inevitable, especially as Hasbro struggles to stay afloat.
First Impressions
I must admit that when I saw the first trailer for Transformers One, I was…skeptical. We were once again going back to the root causes of the war for Cybertron, and the growing divide between Autobot and Decepticon, which has been done over and over again. I was not particularly enthused about yet another reboot in what seems like a rapid-fire series of Transformers reboots by Hasbro in recent years.
The general vibe that the trailer gave off seemed like we would be in for a goofy, slap-stick adventure romp on Cybertron. Also, the fact that Peter Cullen and Frank Welker would not be reprising their iconic roles as Optimus Prime and Megatron was a big thumbs-down for me.
But, I could see that my young son was interested in going to see it, so I steeled myself and went into the theatres expecting a low-effort attempt at getting a younger generation to embrace a decades-old toy franchise.
As I sat there in my reclining seat, however, I quickly began to realize how wrong I was about, well, everything regarding this movie. The tone was very different than I had guessed, and for the better. More than that, this movie far surpassed my expectations and played into the meta-lore of the Transformers universe far more than I would have guessed.
What I liked
The MUSICAL SCORE: I know a movie score is good when I can’t wait to get home from the theatre and download it. I found, to my delight, that Brian Tyler had composed the score. That explained the sublime sense of mystery and awe that permeates the musical landscape of this movie. Tyler is one of my favorite of the “modern” crop of movie composers. He did the score for Iron Man 3, which is excellent. He also did the score for the Syfy mini-series version of Dune, which really elevated the drama. Oh, and he also did the theme for Transformers Prime, perhaps the best Transformers has ever sounded on the small screen.
Orion Pax and D-16: It was great to see the two of them as friends, even with the foreknowledge that they would eventually become the greatest of enemies. They did a good job of establishing their base personalities that contain the seeds of the conflict to come. Orion Pax doesn’t mind breaking rules that he sees are unjust or in the service of uncovering the truth. He sees the potential in his fellow miners and wants to become more than what they current are. D-16, on the other hand, prefers to follow the rules to the letter, to stick to established protocols. When it is ultimately revealed that the rules he’s been so strictly adhering to are a lie, he is crushed, resulting in him becoming angry and vengeful.
The animation and models: CGI-based storytelling has come a long way, and the Transformers franchise has upped its game from the days of the original Beast Wars. I was surprised at just how beautiful and natural some of the animation was in this movie, even when it’s applied to anthropomorphic robots that turn into vehicles. I was also impressed with just how emotive and expressive the four primary characters were on screen.
Megatron’s eyes: I picked up on this little gem on my first viewing of the movie. A good indicator of the story’s escalation is found in the color of Megatron’s eyes. They start out a bright yellow, but as things are revealed and the road he is on darkens, his eyes begin to turn more of an orange color. I predicted that they would turn red at a critical moment, and sure enough, I was right. It was a subtle touch that really gives you that dividing line between D-16 as we knew him and his new persona as Megatron — who then goes on to name his faction after the great deception that he had a hand in destroying.
Two leadership styles: Once Orion and D-16 come back from the wilds, but before they take their iconic names, you can see how they both lead their respective groups effectively. Orion Pax is an inspirational figure, who leads from the front, and is excellent at making those around him believe they are capable of greater things than they ever thought possible. By contrast, D-16 is all about showing strength through acts of force, which appeals to the dangerous, more military sensibilities of the High Guard. When D-16 is captured by Sentinel Prime, the ex-miner would rather die on his feet than grovel on his knees. Even when he gets knocked down, he stands back up with even more defiance.
A satisfying story: In a feature-length movie, character arcs have to move fast, faster than they would in a series format. Still, Transformers One clocks in at a respectable 104 minutes, which isn’t bad for an animated show. I think that the story moves along pretty quickly but pauses in places for some great character development and worldbuilding. By the end of it, it feels like the characters have been on an era-defining adventure that nicely sets up the ongoing conflict in the Cybertronian war to come. After having seen this material retreaded upon again and again, this take felt fresh and just sort of ‘right’ for the continuity that they had set up.
What I DIDN’T Like
Lack of original voice actors: I think that Brian Tyree Henry and Chris Hemsworth did admirable jobs as the voice actors for Megatron and Optimus Prime, respectively. I don’t want to disparage their performance as I think it was excellent. The issue is that Peter Cullen and Frank Welker sort of “own” their Transformers personas in a way we don’t see very often. Their voices give Megs and Op a kind of genuine spark (full pun intended) to the characters that’s really irreplaceable. I think it was a missed opportunity to include them in this project. Can you imagine Orion coming back from the planet’s core with the Matrix, now with Peter Cullen’s iconic voice style? Or, when Megatron proclaims “I’m done saving you,” having Frank Welker’s voice take over for the remainder?
Human characteristics on robots: At one point, we see Orion’s lips flapping in the wind as the train speeds up. Later on when they are avoiding the Quintessons in the ruins, we seem Orion look like he’s breathing hard. This is such a minor thing, but these very human traits looked completely out of place on a character model who is a robot. It took me out of the moment when it happened.
The death of Alpha Trion: Alpha Trion is the archetypical mentor character in Transformers, effectively Merlin to Optimus Prime’s King Arthur. While Alpha Trion got to take out some random goons with the cheeky retort of “Not too old for you,” he basically was just there to deliver some exposition and be executed at the hands of Sentinel. If we get a sequel they could always bring him back somehow, but the total amount of time he got to spend with Orion Pax here is measured in a matter of moments. I had hoped to see a father-son relationship develop between them.
The lingering odor of the Bayverse: There are a few points where I could tell that the story still had some of the greasy little fingerprints of Michael Bay left over from the live action movies. Sentinel Prime being an outright villain and tyrant (rather than just a bully and an a-hole in Transformers: Animated) feels like it took some cues from Dark of the Moon. Bumblebee being named B-127 calls back to a Bayverse Bee before he got his Earth name. Also that there are (or were) multiple Primes at once rather than it being a succession of one at a time through stewardship of the Matrix of Leadership. It seems we cannot quite escape the Bayverse here, though to be fair, there were plenty more G1 nods.
Conclusions
The G1 continuity will always be my favorite telling of the Transformers story. In my heart of hearts, the origins of Orion Pax’s transformation into Optimus Prime can be found in episode #59 of the Sunbow cartoon titled “War Dawn.” Unfortunately, aside from the video game Transfomers: Devastation and a select few comic books, we aren’t getting any more narrative continuations of that version of Transformers.
That said, I realize that Transformers fans my son’s age want something new, something more updated to appeal to them. Some of Hasbro’s attempts to provide this in recent years, such as War for Cybertron, Robots in Disguise, and Earthspark have seemed half-hearted and disposable. Transformers One, however, felt like an honest attempt to bring Transformers forward to a more modern viewership. There’s a real heart to this movie that many other recent versions of Transformers have just sort of lacked. I was surprised just how much I enjoyed the experience — on both occasions.
And, you know, if the continuity of this movie becomes the basis for the Transformers milieu of my son’s generation, I’m more than okay with it. It remains to be seen if we get more from this branch of the Transformers universe, however. As enjoyable as I found this movie, and with it receiving some decent reviews from critics, it unfortunately didn’t do as well as expected. I do hope this isn’t the last we see of the Transformers One crew. I wish them many more heroic adventures to come. So, from me to the cast and crew of this movie, let me simply say: ‘Til all are one!
And that’s the way this fanboy sees it.
The Sector M 